Boishakh is the adopted lad of a potter, Khirmohon, who goes through scores of ache to bring on the tradition of ceramic in his residence.
In this entrance film, director Gazi Rakayat past the worst no hardship to achieve the to his heart’s content. Titash Zia who played the chief male character, Boishakh, and Shormy Mala, who played the chief female character, Poddo, were brilliant in their appealing performances. Raisul Islam Asad, Mamunur Rashid, Apurna- were altogether splendid as ever. The film making by Saiful Islam Badol and the lighting in the are commendable. The awareness to fine points in the visuals was bit on. The story had an decent and absolute intension with a clear message. It wasn’t actual another from the ample stories we appreciate completely also frequently on television. To acme it off, the building was absolutely exaggerated from commencement to end. It is not a ad film; accordingly it can allow been the maker’s conscious assessment to allocate it an complete tragic appearance. The ambiance, circumstances attain and music administrative area in all-purpose had an announce of “unfinishednes” to it. Some scenes that call backdrop scores were bare as a little songs were plugged in places, which can arrange been completed without. Overall, the alluring drama of the chief font makes this worth watching.
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